Never underestimate the power of chance.

Several times over the years when I was younger, I wanted to write. Wanted to. Had no idea how to, and no one to teach me, so I just didn’t do it. One day I was out buying comics and I saw a new Stephen King paperback, THE DARK HALF.

Man, I hadn’t read a King novel in years. Paperbacks back then were $5, so I picked it up along with my comics, and I probably started reading it as soon as I got home. The story of writer Thad Beaumont had me entranced, and although King had been using writers as his main characters for years, he’d never written about them like THIS before.

He made the act of writing, the ritual of it, the business of it, seem almost FUN. And in such an ugly story about such a vile antagonist, that’s saying something.

But, man, did he make writing seem like a blast. And I HAD wanted to write for so long.

You know what, screw it, I’m gonna write something.

I had an idea floating around in my head for weeks. But it took a Stephen King novel about a writer being tormented by his pseudonym to make me actually take that first step and WRITE it. And I never stopped. I finished that story (The Man in the Window), then wrote another one. And another one. And a few more after that. Then several more over the years.

I’ve been writing since 1991, and I sometimes wonder what I would be doing almost 30 years later, today, if I hadn’t read that King novel when I did. If I’d read it five years down the road, would I have started writing? I don’t know. Because I started at a very critical time. I was a few months away from graduating high school and just happened to be in a composition class that year, and that was only because I’d heard it was good prep for college English courses and of course I was going to college, everyone goes to college, right?

I never went to college. But I did keep writing, and I passed that composition class with so much extra credit from WRITING, that taking the final was optional.

But I digress. What would I be doing now, today, if I hadn’t read that book when I did? Because it was a combination of things that happened in the right place at the right time. Not only did that book inspire me to start writing, it was my high school composition teacher who encouraged me to keep going.

Unsure of what I was doing, I asked her to look over it. She liked what I had so far and offered extra credit if I finished it and turned it in. And it was on that story that I fell in love with the process.

While I’ve always believed in free will, I have also always said “the universe is right on schedule”, which I realize is a contradiction to free will, but I believe some things are just meant to be.

But are they meant to be no matter what, or does it take a chance encounter with a random paperback (I could have seen ANY King paperback I hadn’t read yet that day, but I saw the one that inspired me to take the first step and WRITE something) to set me on the course I was supposed to be on? Or is chance an illusion and there was no way I wasn’t going to find that book on that day?

I don’t know. That’s a question for people much smarter than me.

All I know is, I was out buying comics, I saw this King novel I hadn’t read yet, I bought it, read it, it inspired me, and here I am almost 30 years later, still sitting down at my desk every day, making things up. And I still find myself wondering sometimes, what if I hadn’t bought that book that day. What are the chances I’d be here today, doing this, talking to you? It’s a trippy thought, and one I’m glad I don’t know the answer to, because I honestly can’t see myself being happy doing anything other than writing. No matter what day job I’ve had over the years, and there have been a few, none of them have ever fulfilled me as much as writing. Hail to the King.

Remember in FIGHT CLUB when Brad Pitt (let’s face it, more of you have seen the movie than read the book) asked How much can you really know about yourself if you’ve never been in a fight? I’m may be paraphrasing, but you remember the line.

Well, the same goes for artists. I’m not saying whack someone across the face with your keyboard, but I am saying you need to challenge yourself. All artists do. It’s where we find out exactly what we’re really capable of, and where we’re able to raise our standards and our skill level.

Because how much can you really know about yourself as an artist if you never challenge yourself?

What I used to do, back in the days of snail mail submissions with self-addressed stamped envelopes and cover letters was, every so often I’d scour the upcoming anthologies that were taking submissions, many of them themed anthologies, and I’d write a short story to those specific guidelines. And the guidelines were always vague enough they left it open to many different interpretations, but just specific enough you knew pretty much what they were looking for.

Personally, I think some of my best short stories came from these writing challenges. “Working for the Fat Man”, “Maggie Andrews Gets the Facts” and “Terrible Thrills” to name just a few.

One of my earliest writing challenges came after I’d already written the first draft. It was a short, simple, somber story about a man gaining closure after visiting his wife’s grave. The story was called, aptly enough, “Closure”. But I always knew the story was no big deal, would maybe never be published, but that was no reason not to try to make it the best it could be. And with a story this short and simple, well simple was the key word. So I went back and challenged myself to make it as simple as possible. And the best way I knew to do that, with this story, was to eliminate every multi-syllabic word I found. What resulted was an even SIMPLER story that didn’t lose any of the detail or emotion, and told itself in nothing but single syllable words. It’s a detail I doubt many readers would pick up on, but it’s one that stands out to me.

Or there’s the challenges my ex-wife used to hand me, when we were married. Sometimes she would come up with an idea she thought would make an interesting story, a twist on a familiar theme, and I’d write a story from that. Stories like “Birth Day”, “Family Name” and “Luck of the Draw” came about this way.

Now, I know some people are intimidated by the word “challenge”. So let’s change our vocabulary. Instead of a challenge, consider it a mere prompt. And everyone likes a good writing prompt, right?

Writing challenges, or prompts, are an excellent way to motivate yourself when you want to create but have no idea where to start. They’re great exercise in flexing your creative muscles, and a sure way to keep your mind and your creative skills in top form, and every worthwhile artist I know uses them. So the next time you sit down to write, or paint, or whatever, and the drive is there but the ideas are not, try a challenge, a prompt, whatever you want to call it.

Some of my favorites are to write a sequel to your favorite story (book or movie doesn’t matter). If you listen to music while you create, write a story using the same title of the first song you hear, or one using a random lyric from the last song you heard. Rewrite a familiar story from a different perspective. Write a story using only 100 words.

There are any number of challenges and prompts out there, and plenty more you’ll come up with yourself as you get more practice using them. I’m curious to see what you can come up with. Now go out there and make some art.

People often underestimate the value in brainstorming. You don’t have to sit down to work every day, ready to fire away and write full steam ahead. Sometimes the words just aren’t there. This is when brainstorming comes in handy.

Despite many people thinking brainstorming is a group activity, you can in fact brainstorm on your own. The goal in brainstorming is just to toss ideas into the air and see which ones land as you work to sort out a particular problem.

For example, I had this really long short story call “Blue Moon Story” that had a good IDEA, but the execution never excited me all that much. I knew the idea behind the story was worth pursuing, I just knew I’d gone about it all wrong the first time.

So on the drive home from work one night, I started throwing ideas out, talking to myself out loud. I had a character and an opening, but nowhere to go from there. What if this happens, I said? Where does the story go from there? Where do I want it to go? Okay, I know how I want it to end, but how do I get there?

I brainstormed ideas and directions for this story on the full 15 minute ride home and by the time I pulled up, I had the story ready to go and I tackled it the next morning, finishing a first draft in only a couple of days.

That’s not to say every brainstorming session ends with similar results, but at least you can walk away with a list of ideas that don’t work and directions you know not to take.

I’ve done this with titles dozens of times. Not every story has a title built into it. My STRANGE CASE OF DR. JEKYLL AND MR. HYDE sequel short, “The Dichotomy of Monsters” went through a handful of possible titles before settling on that one, and each one was CLOSE, but not THE title. I used a brainstorming session one morning on the way to work to get that one.

Hell, even the name Midwest Creativity Control was the result of a brainstorming session with my team, everyone throwing out ideas in a group email and discussing each one until we finally came up with the right one, complete with rationale on why it’s the perfect name for our organization.

Brainstorming sessions can be a lifesaver to a creative, especially when you have a group of people involved, but even when it’s just you throwing ideas around yourself. I talk story ideas and details out with myself all the time, and they always bear fruit for whatever I’m working on.

Don’t feel pressured every day if you don’t know what you want to write about or which direction a story needs to take. The possibilities are nearly endless and you’ll find the right one with a quick brainstorming session.

You ever get halfway through a particularly long and challenging manuscript only to realize you’re bored? Not bored with the story or the process, just … your mind needs something else to ponder for a minute. Not a week, this isn’t one of those times where you need to take a week off and work on something else. Just a day. Maybe an hour so you can recharge. You don’t want to stop writing for the day, though, you just want to work on something different.

Diversity is important. Variety, as Morris Day said, is the spice of life. At these times I have a list of alternative things I could work on just for a minute, something to kick start my brain, put me into writing mode, but not bog me down in the same thing I’ve been working on for the past three months.

Reviews. I love writing movie and book reviews. They’re a quick way to force you to organize your thoughts, you’re getting to praise something you love, or learn from something that didn’t quite work, and you’re getting your fingers limbered up and your mind focused, ready to get back to work. Sometimes writing something that isn’t the thing you’ve been working on, even for an hour, is enough to make you miss the real work.

Blog posts are another alternative. Sometimes I’ll take a minute to post something quick, like what I’m currently reading, or the posters to any movies I’ve recently watched. I actually haven’t done this in a while, but once upon a time it was a regular thing. Back when I had more time to watch a lot of movies and whatnot. Or you can talk briefly about what you’re working on. No details, but a few words on what research you find yourself doing, just enough to tease.

Have you updated the CTAs (calls to action) in your books lately? This is another quick little job you can do when you need to get your mind on something else for a minute.

Something I love to do when I’m bored looking at the same page for the past two days is CLEAN MY DESK. You know your desk is the messiest part of your house, admit it. And it’s much easier to work on a clean desk. If you’re bored with your current work in progress, take the day off from it and clean your desk. And your office while you’re at it. And your inbox.

Sometimes I’m not bored, I’m just tired. I need to step back, take 20 minutes and rest. I often find when I do that, I can come back to it, maybe not wide awake, but not dozing off mid-sentence, either. Set a timer and close your eyes, the world isn’t going to end. And if it does, at least you didn’t have to see it coming.

And the last suggestion for when you’re bored working on the same manuscript every day: work on it anyway. Seriously, sometimes the best work I do on something is when I really don’t want to and I make myself get the words down anyway. I don’t know where the reluctance to work comes from, maybe I’m only bored with it because I know what comes later and I want to hurry up and get to a particular scene. But that’s not going to happen if you don’t write the damn thing. So the only thing to do is shut up, put my head down, and power through whatever downtime scene I’m on so I can get to the fun, exciting one behind it.

There you go, 6 tips to help fight boredom when you want to be productive but just can’t face that same story AGAIN. A quick diversion will keep you working, keep you productive, but give your brain and eyes the break it needs without convincing you that abandoning it altogether is the only option.

Now stop reading blog posts and get back to work. Slacker.

What do you like better, writing, or having written?

Me too.

Having written something is always so much more enjoyable than actually writing it. The work is hard, the after is the reward, and are we not a reward-based culture?

So having written is always favorable to writing.

But we can’t have written without doing the writing. So we have to get started. And I don’t know about you, but for me it’s always the beginning that’s toughest.

There are so many possible ways to start any and every story, it’s like a kid in a candy story lined wall to wall with all the best chocolates and gummies and whatever you like, but you’re told you can only pick ONE.

So that one has to be just perfect, doesn’t it?

Welllllllll. See, this is the nice thing about beginnings in writing. They’re just a starting point, but 9 times out of 10, that beginning is going to change by the time the story sees publication. NO beginning is ever perfect the first time through, because at that point we’ve only got the vaguest idea what direction or tone the story is going to take.

I can’t tell you the last story I wrote that didn’t have at least one or two false starts attached to it. Sometimes you just need to work your way through the story and see where it leads, then go back afterward and make adjustments to the beginning so it falls in line with the rest of the work.

There’s no shame in it; sometimes going back and re-working the beginning is a vital part of the process, especially in a longer work where the distance between the beginning and ending is greater.

But sometimes that false start is all kinds of wrong and doesn’t even convey the story you want to tell. That’s fine, too. My short story, “The Foodies of Mars,” I started writing that with only the vaguest notion of what the story was about, and for several days I wrote a solid beginning before trashing it the next day and starting over, because while those false starts could have worked okay, they weren’t the story I wanted to tell.

So I started over, with a completely different angle, point of view and main character, a different location, trying out story openings like school clothes, just waiting til I found the right combination that made the perfect first day of school impression.

Every story has to start somewhere, but don’t feel bad if you don’t nail it right out of the gate. That’s natural and doesn’t reflect on you as a writer at all. It’s much easier to go back after and fix a beginning than it is to keep working the front end of the story and never even getting to the back half.

Just GET STARTED and KEEP WRITING.

When it comes to audience, there are as many opinions as there are people offering them. William Zinsser, journalist and teacher, says, “‘Who am I writing for?’ It’s a fundamental question and it has a fundamental answer: You are writing for yourself. Don’t try to visualize the great mass audience. There is no such audience–every reader is a different person. Don’t try to guess what sort of thing editors want to publish or what you think the country is in a mood to read. Editors and readers don’t know what they want to read until they read it. Besides, they’re always looking for something new.”

John Steinbeck has a slightly different approach with, “Your audience is one single reader. I have found that sometimes it helps to pick out one person–a real person you know, or an imagined person, and write to that one.”

I like Erica Jong’s response to the question of audience: “Writing is one of the few professions left where you take all the responsibility for what you do. It’s really dangerous and ultimately destroys you as a writer if you start thinking about responses to your work or what your audience needs.”

Look, the audience will appear if the work warrants it, but thinking about them before you’ve even figured out what kind of artist you are is only going to keep you from developing anything even close to a voice that’s yours. Speaks the bitter voice of experience.

For the first … I don’t even know how many years I was writing, I was writing to one particular audience: Stephen King’s audience. Because I wanted his career. It took a while but eventually I realized I’m not going to be Stephen King, he and I are two totally different writers. And once I realized that, it made writing so much easier, and it made finding my own voice so much easier too.

To me, the answer to the question of audience changes as you move through the stages of your career and expertise, as you become more comfortable with who you are as a creative person. In the beginning, you HAVE to write for yourself, otherwise you’ll never find a voice that belongs to YOU.

Once you find that voice, once you’re comfortable enough in that skin, it won’t hurt to find that one other person you can write to. But at the end of the day, the only person you HAVE to please is yourself.

I’ve run into this a time or two as well. You write something you love, but with an eye toward making that one other person happy too, and if they give it back and say “Meh, it could be better,” hear them out. They may have some good ideas, things you never thought of. Outside opinions are always helpful, but opinions are all they are. Take them in, digest and turn them over and, if you think they’ll make the work stronger, excellent. But if those opinions are going to lead to you compromising the story to please someone else … well, that’s something only you can decide.

Ultimately the question of audience is one you have to answer for yourself. All I can do is give you what I’ve learned from my experience with it over the years. For me, I have to like it first. And then, once I like it, I can take those bones and shape them into something other people will like too, while also maintaining the heart of it that I loved enough to bring to fruition in the world.

Or just remember Cyril Connolly’s words, “Better to write or yourself and have no public, than write for the public and have no self.”

So here’s a question. When you sit down at your desk, or wherever you write, what’s the attitude with which you approach the work?

Are you coming at the day’s words as one who really doesn’t want to be here, but knows they need to get something done, so you show up begrudgingly and jot down a hundred words just to say you did it? Or do you attack the page, firing off a thousand words in thirty minutes?

Margot Fonteyn said, “My attitude has never changed. I cannot imagine feeling lackadaisical about a performance. I treat each encounter as a matter of life and death.”

Now, I’m not saying you should go to THAT extreme when you come to work every day, but whether you realize it or not, your attitude when you sit down to do that day’s work has a huge affect.

I’ve got this day job–night job, really–that I hate. And it shows every day when I get there. I’m always in a grouchy mood, wanting to be anywhere but there, and the waves of disgruntlement and discontent radiate off me. I get my work done, but that’s all I do. If the line is down for a minute, there’s just as much chance I’m standing there, silently waiting for it to start up again as there is I’m doing something productive like cleaning my area or changing the trash. Because I just don’t care. I want to care, I’ve tried to care, but I just don’t. And that attitude comes through loud and clear.

But when it’s time to write every morning, man I’m ready to go. I’m smiling inwardly, my spirits are high no matter how exhausted I am from the night before at work, and I know I’m right where I’m supposed to be. That love for the work, that fire to get started, it comes through loud and clear as well.

And that carries over to every part of the process. No matter how slowly a story is coming along, or how mangled I feel the plot is, whatever the problem that’s keeping me from finishing this damned story already, my attitude is always positive because I know that, eventually, the plot will reveal itself, the twist will untangle itself, and no matter how stubborn a character or situation can be, there’s nothing better in the world than sitting at my computer, writing fiction. Even on a bad writing day, that’s still better than anything else I had planned for that day.

And on the good writing days … ho boy, that’s when the clouds part, and God smiles down on me. And I really feel a lot of that is due to my attitude about the work. At my old fast food job almost 30 years ago, they used to tell us to smile, even if we were taking an order through the drive-thru speaker, because the customer outside could hear your smile. At the time I thought it was a bunch of crap, but time, and doing work I love doing, has shown me that, yes, your attitude about the work comes through in the end product.

So when you sit down to get started every day, don’t let the bills, the spouse, the kids, the day job, the everything else get to you. Shrug it all off and just do the work you were meant to be doing, the only work you ever truly loved doing, and do it with a positive attitude knowing that, at least for these couple of hours, or however long, all is right with the world.

Are you plotter, or a pantser? A sitter or a stander? Do you type your stories or dictate them? Would you believe, in this day and age, there are writers, Clive Barker, for instance, who still write their novels longhand, and do an edit when they’re inputting it into a computer?

And they’re absolutely right in doing it that way. So are the writers who wouldn’t dream of writing longhand. So are the ones who dictate their work into their phone. So are the ones who write while walking on a treadmill desk.

They’re all correct in their approach to writing, because they’re doing what works for THEM.

I know how confusing it can be, when you’re starting out, to figure out what works for you, and you’ll try a dozen different methods before landing on the ONE. And I’ve been through many of them. I’ve written longhand, I’ve plotted and pantsed. I’ve never written standing up, but I’ve often taken walks and thought about what I was going to write. I still haven’t dictated my words, and I don’t see that happening. It’s just not how I work. But if you want to try it, that’s your choice.

You’re going to go through a number of different approaches, and every time you learn of a new way, you’re going to want to try it. That’s an excellent idea. Try them all. But never insist there is only ONE way to write, to compose, to paint, or whatever. There are as many approaches as there are art forms and every one of them works for SOMEONE.

So don’t feel hindered by one way of doing things just because that’s how “best selling author” does it. That works for them, do what works for YOU.

 

Sometimes we dream too small and it leads us nowhere.

I had a week off work, 7 days with nothing to do but write. If that’s what I wanted.

Now, I didn’t want to spend the ENTIRE day writing–a lie, I really did, but I also had other stuff I wanted to get done on my week off–but I did want to use that time to do something AMBITIOUS.

So I did. Normally my writing routine is to work on one thing at a time, rotating between projects every week. But this time I figured I’ve got the week off, why not work on ALL of them this week? Could I do 1000 words a day–my usual daily word goal–on all four current works in progress? Sounds tough, but not impossible. And anyway, if I pull this off, I’ll have proved something very important to myself: that I could do it.

See, some days those 1000 words come easy, but some days they’re like pulling teeth with no Novocain and it’s all I can do to eek out exactly 1000 words. Some days I don’t even make that. But this one week I was determined to do it. And if I missed it one day, as long as, at the end of that week off I had 20,000 new words written, I would consider it a success.

Know what happened?

I made it. It took writing the last 2000 words on Saturday, a day I had originally planned to give myself off, but I did it. Twenty. Thousand. Words. In SIX days instead of five, but I still got it done.

For someone like me who also has a day job–night job; I work second shift–to even consider writing so many words in a week feels impossible. It feels like the kind of thing you say “yeah, one day,” but then one day never comes because, holy crap there’s no way.

As artists, creators, the day we stop indulging in our ambitions, that’s the day we might as well stop creating at all. It was our ambitions that led us to picking up the pen in the first place, or the keyboard, or the instrument, or the microphone. It’s ambition that guides us every day when we sit down to work on our art.

We must learn to trust those ambitions and indulge them when they speak up, because it’s those ambitions that show us what we’re capable of. I never would have believe I could do 20,000 words in a week. If told I could do it, I’d have said something like, “Oh, yeah, I could make a good start of it, but I don’t see being able to maintain it for a whole week.” But then once I got the idea, and let it grow and grow over a couple of weeks, the ambition grew, the goal began to form, and by the time I got to that week off work, I knew I was going to do it. I’d built it up so big in my head by then, I knew I HAD to. Why? Because I learned years ago to trust my ambitions, listen to them and let them guide me to where I’m supposed to be.

Hell, if I’d listened to my head back in high school, I would have continued in my computer programming classes and MAYBE gotten a decent job in computers. But at the time I already knew my heart wasn’t in it, that I was just taking those classes because I’d heard programmers made good money and, at the time, there was really nothing I wanted to do with my life.

Then one day I got the idea to try writing this story that had been in my head for a few weeks before, and soon the idea turned into an obsession and that obsession turned into an ambition: to be a writer.

I followed that dream and I’m still following it and I honestly can’t imagine having taken any other path in life.

So live ambitiously, dream of things you never thought you’d do, and then do them.

For the longest time, YEARS, every time someone found out I was a writer, the next question was always, “Oh? What do you write?”

And like a wimp, I always shrugged it off and gave a vague, evasive answer. Oh, you know, little bit of everything.

Which wasn’t a lie. In addition to horror, I write reviews, I have written poetry. I have several comic book scripts, and even a play tucked away in a safe place away from prying eyes. But horror has always always always been my first and most important love. If I was told I could only write in one genre for the rest of my life, there wouldn’t even be a hesitation: horror.

But I always dodged the question and gave a very … ambiguous answer. A little bit of everything.

Why did I do that? Was I ashamed of being a horror writer? Surely not! Was I?

To be fair, I only said this when a normie would ask me that question. If it was a horror fan, I had no problem admitting the dirty truth. I’m a horror writer. But just someone off the street?

I was out to lunch with my ex wife one day–we were still married at the time, so it wasn’t weird–and I was wearing my “I’d Rather Be Writing” t-shirt. I’ve had this shirt for years, didn’t even give a second thought to wearing it out to lunch. This guy gets up from his table and, as he’s leaving, stops by and asks, “What do you write?”

A little bit of everything.

DAMMIT! I did it again.

When it would have been so easy to just say, “I’m a horror writer.” It’s even easier to say; it’s one word less than my usual answer.

And I wonder how many others out there do the same thing. What kind of movies do you make? What kind of music do you play? What do you write?

Oh, you know, this and that, little bit of everything.

I’ve gotten over it and now I don’t hesitate to say I’m a horror writer. And I admit it took some time and courage because outside of the horror community, the genre just has such a … cheap feel. But still, man, there’s nothing I’d rather write for the rest of my life.

When you’re trying to make a name and a life for yourself with your art, ambiguity is not your friend. And yeah yeah, there’s always that one that has to claim I love ALL genres. Sure you do. We all do. But if it came down to it and you could only work in one genre and God said pick? That’s your genre. Own it.

An audience who doesn’t know you is going to find you because they like a particular thing. I have found dozens of horror authors I fell in love with, because I love horror and was looking for horror. I just happened to find these authors I never would have heard of otherwise because they were in the horror section. So don’t shy away from the thing you love and want to do. Embrace it.

Make a show of it. You can see it on the homepage of my website, C. DENNIS MOORE–HORROR AUTHOR. I may have spent the majority of 2018 writing a serialized super hero story and not a lot of horror at all, but it’s still my number one right up front.

I’m proud to be a horror writer. But in my years writing, I’ve come across a number of horror writers who insist that’s not what they do. They do “a little bit of everything.” I’d list their names for you, but you’ve not heard of them. And you probably won’t because in their quest to distance themselves from this wonderful genre, or from ANY genre, they’ve released a mish-mash of stories that confuses readers.

Chances are VERY good if you’re reading my fiction, it’s most likely horror–last year’s production notwithstanding. Chances are very good if you read a Stephen King novel, it’s going to be a horror novel. Chances are very good if you read an Ed Lee novel, it’s going to be a horror novel. Not that I’m equating myself with those guys, they’re masters of the genre.

But, when I want to read some horror, I know who to go to because the authors I read aren’t wishy washy when it comes to what they do. They write horror. And I don’t want to turn this into a discussion about the validity or pitfalls of genre-hopping, I love genre-hopping. But at the end of the day, no matter how many super hero stories or love poems I write, I am a horror writer.

Period. End of discussion.

Yes, I want to play in every genre there is, I want to write in every style, I would love to be known as a great writer no matter what comes out of my head. But first and foremost, I want to be known as a great HORROR writer.

And so that is where my focus lies, and where my current goals are leading. How specific are your goals? Are you just hoping to be a great filmmaker, or do you want to make the funniest comedies ever released? Or the most exciting westerns? Do you want to make music, or do you want to record the best heavy metal tunes around?

If there’s a genre you like, don’t deny it. Genres are how our audience finds us, especially when we’re still unknown to the general populace. No one saw STAR WARS because they were after the next George Lucas movie at the time. They saw science fiction space opera and that’s what drew them in.

Find your genre. Own it. Live it. And then make in synonymous with you.